• Violão
• Guitarra
• Teclado
• Cavaquinho
• Contra-baixo
• Bateria
• Gaita
• Guitar Pro

Intro and Verse:

e|-------9------------------------|----9-x-x---9-----------------|
B|-9h10--10--x-x-x-x--------------|-9--9-x-x---9-------9---------|
G|-9h11--11--x-x-x-x--8-8--8--x-x-|-9--9-x-x-x-9-------9h11p9----|
D|-9h11------x-x-x-x--7-7--7--x-x-|-9--9-x-x-x-9--9h11--------11-|
A|-9---------x-x-x-x--6-6--6--x-x-|------------------------------|
E|--------------------7-7---------|-9----------------------------|

e|-------9------------------------|-----------5--|
B|-9h10--10--x-x-x-x--------------|-9--9-x-x--7--|
G|-9h11--11--x-x-x-x--8-8--8--x-x-|-9--9-x-x--5--|
D|-9h11------x-x-x-x--7-7--7--x-x-|-9--9-x-x--7--|
A|-9---------x-x-x-x--6-6--6--x-x-|-----------5--|
E|--------------------7-7---------|-9------------|


This 4 bar pattern is repeated throughout the verse.

Notes: the last phrase (the one above with 9-11 hammer on and pull offs) is slight
improv, and sometimes Cullum alters phrase. The other phrase he often uses in that
spot is shown below. Also the muted strings are played to give a soft rhythmic feel
between chords, they are not forceful and intentional muted attacks by Cullum. The
third chord (Dbm7) is sometimes played x46454.


e|-4-4--4-4--|
B|-4-5--5-4--|
G|-4-4--4-4--|
D|-4-6--6-4--|
A|-4-4--4-4--|
E|-----------|


Chorus:

e|-5--5--5---5-5-5-5--|-7--7--5--5-5-5-5--|-4-4--4--4--5-|-6--6--6--6-6-6-6-|
B|-7--7--7---7-7-7-7--|-5--5--7--7-7-7-7--|-5-5--5--5--6-|-7--7--7--7-7-7-7-|
G|-6--6--6---6-6-6-6--|-6--6--6--6-6-6-6--|-4-4--4--4--5-|-6--6--6--6-6-6-6-|
D|-7--7------7-7-7-7--|-7--------7-7-7-7--|-6----6--6--7-|-8--8-----8-8-8-8-|
A|-5--5------5-5-5-5--|-5--------5-5-5-5--|-4----4--4--5-|-6--6-----6-6-6-6-|
E|--------------------|-------------------|--------------|------------------|